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New
grooves in 2020
Short
album reviews
On
this page I will introduce my LP purchases of 2020. Just for the fun of
it. |
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November
21, 2020 |
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John
Coltrane: A Love Supreme (Impulse/Verve A-77, 2020)
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The other
LP I bought from the Plato/Mania shop was this most famous John Coltrane
album, "A Love Supreme", which is in
fact a very spiritual album and of major importance for spiritual jazz
genre which developed in the later sixties and seventies. In my review
for "Ballads", I said that, in my opinion, much
of the Impuse material is lacking direction, too much going anywhere,
not arriving somewhere. I can hear just some of that in the tracks of
"A Love Supreme" but it's still a very good album, with a
specific sound and charm. To many people this is Coltrane's best album.
I prefer older titles like "Blue Train" and "Giant Steps",
but "A Love Supreme" is still a must-have album.
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November
21, 2020 |
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John
Coltrane: Ballads (Impulse/Verve A-32, 2020) |
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Last week
I ordered two John Coltrane re-releases from the Plato/Mania shop and
it all worked fine; the albums were delivered here today; fast and well
packed. I read some good reviews about these albums and I can only agree.
To start, it all looks very good: solid tip-on gatefold covers.
A really beautiful job, comparable to the Music Matters and Tone Poet
issues. Then the music sounds great as well; well balanced,
natural and detailed. This is the way it needs to be done. "Ballads"
is a pretty quiet album, as the album title suggests, featuring covers
only, and it's different from many of the other albums he did for the
Impulse label. I think much of the Impuse material is lacking direction,
too much going anywhere, not arriving somewhere. I may not understand
it. Anyway, this album is not like that and it's a nice addition to
my jazz records collection.
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November
5, 2020 |
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Larry
Norman: Live At Flevo (Spark SK-7004, 1990) |
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I had this
live album on CD for years, but bought it on vinyl now, again mainly
for the Larry Norman discography. I have to admit though that this is
quite a good record, especialy side 1 (when leaving out all of the small
talk). The band Q-Stone together with Charly Norman appear to be very
competent in accompanying Larry Norman, who's in pretty good form himself.
Songs like "Nightmare #49", "Twelve Good Men" and
"Be Careful What You Sign" sound very convincing. Too bad,
the concert couldn't do without "UFO", "I Wish We'd All
Been Ready" and "Messiah" but luckily, there're all packed
together at the end of side 2.
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November
4, 2020 |
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Herbie
Hancock: My Point Of View (Blue Note/Tone Poet 84126)
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Herbie
Hancock's second album, recorded (again) for the Blue Note label, is
another interesting piece of work by this genius. I already had this
album on CD, but needed it on vinyl. It was reissued recently in Blue
Note's Tone Poet series, so I knew I had to buy this one. The album
starts off with "Blind
Man, Blind Man", which fits in well with the more commercial
(..) sides Blue Note issued (see f.i. Art Blakey's "Moanin",
Lee Morgan's "The
Sidewinder", Hancock's own "Watermelon
Man" and many others). The other songs are slightly less 'easy',
but very interesting nevertheless. Hancock sure wasn't a selfish man,
needing to stand in the spot light all of the time, so there's plenty
of room for the other musicians: Donal Byrd (trumpet), Hank Mobley (saxophone),
Grachan Moncur III (trombone) and Grant Green (guitar). All on a solid
foundation provided by Chuck Israels (bass) and Anthony Williams (drums).
It makes a varied album, well worth to check if you don't know it already.
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Oktober
15, 2020 |
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Various:
Peaky Blinders (UMC 0815650) |
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Peaky Blinders
is the first series which I'm dedicated following from start to finish.
As I'm writing this I'm halfway the fourth season. It keeps on being
intriging despite the violence and other anomalies. The thing that attracted
me first was the music though, as the series features artists like P.J.
Harvey, Nick Cave, Laura Marling, the White Stripes and many others.
Halfway watching the second season I decided to buy the 3LP soundtrack
issue. Interesting as it may be, I have to admit that I only listened
to the albums once. Not everything appeared to be as cool as I thought
it would be and compilation albums often are a bit hard to swallow anyway.
I like the opening track ("Red
Right Hand" by Nick Cave and the Bad Seeds, which is also the
theme song of the series) and a whole lot of others, some of which I
knew before, but there are some less inspiring contributions as well,
Joy Division's "Atmosphere" being the nadir of them all (I
have a CD here by this group that a friend of mine recommended, but
I still have to find the courage...). Well, I guess I first need to
give this Peaky Blinders album a few more spins.
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September
23, 2020 |
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Fiona
Apple: The Idler Wheel (Epic/Clean Slate 19075939571, 2012/2019)
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Michael
Fremer says in his review of this album: "All of Fiona Apple's
albums have been been personal and confessional (some might say "self
absorbed") but this one is really personal and confessional and
attractively self-absorbed too"; check the rest of his words here.
Attractively packed and sounding just fine, I consider this a worthy
addition to my collection. Listen to "Valentine"
from this album.
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September
23, 2020 |
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Fiona
Apple: When The Pawn (Epic/Clean Slate 88985415301)
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'Vinyl
Me, Please', that sympathetic record club from
Chicago, IL., re-released three early Fiona Apple albums and co-released
her most recent one. I bought "When The Pawn" (or "When
The Pawn Hits The Conflicts He Thinks Like A King What He Knows Throws
The Blows When He Goes To The Fight And He'll Win The Whole Thing 'Fore
He Enters The Ring There's No Body To Batter When Your Mind Is Your
Might So When You Go Solo, You Hold You" - the original album title)
from 1999 and "The Idler Wheel Is Wiser Than The Driver Of The
Screw And Whipping Cords Will Serve You More Than Ropes Will Ever Do"
from 2012 (she must be queen of the long LP titles...). I must say,
the way the club handles everything and the looks and quality of the
products, make me very enthusiastic. The covers of these albums are
old-school tip-on and are printed without barcodes. "When The Pawn"
is a 90's pop/rock production with strong melodies, good singing and
ditto piano playing. I once had this on CD but sold it. The other Fiona
Apple album that I bought convinced me to buy this one too and I can
appreciate it much more now than I did before. Listen to "Fast
As You Can".
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September
19, 2020 |
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Larry
Norman: The Best Of Larry Norman (Royal Music RMLP 050, 1990)
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Another
Royal Music pressing from Sweden and another example of the uninteresing
Larry Norman albums which were released in these years. "The Best
Of..." is a compilation with old and new material, all drawn from
the other Royal Music albums, and it shows the huge differences between
the two. It's sure questionable why this is called "The Best Of"
as I guess anyone who knows Larry Norman catalogue a little or better,
will come up with different suggestions. It doesn't mean there's nothing
to enjoy here; "Soul On Fire" (referring to Eldridge Cleaver)
"Righteous Rocker" and "Shot Down" are good songs.
But, apart from that, it's a silly presentation of this artist's so-called
best.
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September
14, 2020 |
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P.J.
Harvey: To Bring You My Love (Island 0896473, 1995/2020)
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Harvey's
fourth album from 1995 is a collector's item on original vinyl, like
all her early vinyl releases. Island is currently reissuing Harvey's
catalogue, so her albums are and will be normally available again, for
as long as it takes. That's a cool thing and it helped me to get into
her music. "To Bring You My Love" is another fine album with
raw and crazy material. The song "Send
His Love To Me" drew me to this album, but there are more great
moments, though it takes some time to get comfortable with some of it.
That can be an indication of real art.
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September
11, 2020 |
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Larry
Norman: Stop This Flight (Royal Music RMLP 021, 1986)
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"Stop
This Flight" was Larry Norman's first album with new material in
the 1980's, after some albums with live or older material and the "Tom
Howard records" (see "Barchaeology"). The title appears
to be referring to Larry Norman's intention to cut all strings with
the the CCM industry. In fact, all of his US albums since "Something
New Under The Son" are self-released.
This is
not a good album, at least I never liked it. It's just some uninteresting
christian rock album with little to no food for thought and songs that
never ever even come close to the songs on his previous 'new' album
("Something New Under The Son"). Songs like "A Woman
Of God" and "Messiah" are just horrible. I guess this
album, when I first bought it in the late 80's, made me realize that
things would never be the same.
I bought
this one again (this is the Swedish pressing on Royal Music) for the
discography.
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September
9, 2020 |
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P.J.
Harvey: Rid Of Me (Island 0851112, 1993/2020) |
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Another
record I bought from JPC (like Laura Marling's album, see next review).
In the last few weeks, every now and then, I listened to music on YouTube,
just hoping to find something worthwhile. I stumbled on P.J. Harvey
and Nick Cave, artists I knew vaguely, but I never spent enough time
to find out what they really had to offer. Well, at least for P.J. Harvey
it meant that I ordered two albums from JPC (the other still has to
arrive, now I'm writing this). I guess, some time soon, I will buy me
some Nick Cave albums as well. I like P.J. Harvey; she's doing very
much her own thing; it's diverse and intriguing, to say the least. "Rid
Of Me" has a raw attitude that isn't easy to swallow, but it has
a lot to offer. "Man-Size"
was one of the songs I listened to on Youtube and I found it a fascinating
track (and clip). You should give it a try, if you don't know the song
already.
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September
9, 2020 |
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Laura
Marling: Song For Our Daughter (Chrysalis/Partisan BRRV002,
2020) |
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It's good
to focus on something different after all the Larry Norman stuff I've
been into. JPC in Germany gave me a 20% discount on all of their offerings
and I took the opportunity to buy me three new LP's, one of them being
this Laura Marling album. I've been interested in Laura Marling ever
since I bought the album "Once I Was An Eagle" as a wild guess,
and all of her eight official album releases are now in my collection.
"Song For Our Daughter" was released in July, so it's new
in every way. I've listened to it a few times now and I must say that
it still doesn't get me like most of her previous albums did. The songs
I like best are "Strange
Girl" (the only uptempo song on the album) and "Only
The Strong"; these are actually very nice songs, but the others
fly in and out without leaving any imprint. Too much orchestration for
me, too little melodies that stand out. Not bad, not good either, a
little boring instead.
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September
9, 2020 |
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Larry
Norman: Home At Last (Spark SK-7005, 1990) |
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A Dutch
pressing of a record that was originally issued as a double album in
a plain white jacket in 1989 (and subsequently on CD). Spark used the
CD cover to blow up the images for their 12inch record cover, also blackening
some areas on the back - a pretty lousy job! The record itself is among
the better later Larry Norman albums (later = post 1970's), which doesn't
mean you should immediately go and find yourself a copy. The album features
several new songs but others were issued before. All are 1980's recordings
except "Oh How I Love You" (1972, from "Only Visiting
This Planet") and "Country Church" (c. 1976, from "The
Story Of The Tune" CD version).
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August
29, 2020 |
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Larry
Norman: Rehearsal 4 Reality (Royal Music RMLP 023, 1986)
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"Rehearsal
4 Reality" is a compilation album with Larry Norman and his brother
Charles on the cover. Charles Norman helped his brother a lot during
the 1980's and beyond until Larry Norman's passing in 2008. This has
always been kind of hard to handle for me, as the Larry Norman I knew
from the 1970's disappeared the the decennia which followed. Charles
did some pretty good things, but on record it always appeared to me
that I was listening to someone else's record instead of Larry Norman's.
Most of the songs on "Rehearsal 4 Reality" are from the 1980's,
the exceptions being "Why Can't You Be Good", and "I
Feel Like Dying". "Gonna
Write A Song About You For The Radio" is a rather nice rockabilly-ish
tune (where Norman borrows from Fats Domino and even throws in some
Screamin' Jay Hawkins lines!), most other tracks are of (much) less
interest, including the dreadful "Woman Of God".
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August
29, 2020 |
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Larry
Norman: Quiet Night (Stress ARF-864, 1984) |
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"Quiet
Night" was sort of a compilation LP of the 3LP box "Barchaeology".
Scroll down to see a review of that album. "Barchaeology"
is not of much interest, so is this compilation, which will come as
no surprise. The front cover reads 'The Young Lions' while the label
says 'Larry Norman and the Young Lions'.
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August
21, 2020 |
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Larry
Norman: In Another Land (Solid Rock Rocky 1, 1976) |
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Larry Norman's
most famous album and the first of his albums I listened to. I borrowed
a copy from a girl who went to the same church as I did, back in my
foolish days. It was 1977. I had heard "The
Rock That Doesn't Roll" on the radio and was instantly convinced.
The album's repertoire varies from haunting folk to solid 70's rock
and would probably be qualified as not homogeneous enough according
to today's industry standards. I like the diversity and there's a lot
to enjoy here by this lone wolf, as Frank Black of the Pixies once described
Larry Norman. Black recorded Norman's "Six
Sixty Six" (featured on "In Another Land") with the
Catholics in 1998 (listen to that version here).
I have
several copies of this album, both on vinyl and CD, but was missing
this UK version, which I wanted for the Larry Norman discography. I
found it cheap on Discogs, together with the first UK pressing of "Upon
This Rock" (scroll down to read more about this title).
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August
18, 2020 |
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Larry
Norman: self-titled (Rhema/Starstorm S777-1, 1977) |
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This is
a Australian compilation album (a.k.a. "Starstorm") featuring
songs known from "Street Level", "Only Visiting This
Planet", "So Long Ago The Garden" and "In Another
Land". However, half of them are different versions, which makes
this an album of more than average interest (to the collector, that
is).
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August
12, 2020 |
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Larry
Norman: Something New Under The Son (Solid Rock Ruff Mix,
1981) |
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"Something
New Under The Son" was and is the ultimate Larry Norman album for
me. It's all blues but not your standard 12-bar thing. Larry Norman
crafted all kinds of influences into his very own thing and it's rough
and it's brilliant. This is the UK version, with some small differences
as compared to the US version, and one song missing ( "I
Feel Like Dying"). It seems a silly mistake was made by people
who probably didn't understand this music whatsoever, and it was corrected
by releasing the song on single. It's a pretty weird and desperate song
and though I like it a lot, I think it's not the first candidate for
a single release. Not by far. Not that it's very likely that Larry Norman
would have had a hit record with whatever other song from this album,
but well, they still could have made a more clever choice, for instance
by putting "I Feel Like Dying" on the b-side and chosing "Larry
Norman's 97th Nightmare" (the clip is the US version with intro!)
or "Feeling
So Bad" for the a-side. For the reverse side of the 45, the
record company (Chapel Lane) chose a song by another artist from their
stable (Alwyn Wall). From the LP, another song worth listening to would
be "Watch
What You're Doing" - play it loud and from start to finish!
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August
11, 2020 |
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Larry
Norman: Street Level (One Way JC 7937/7397, 1970) |
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I have
discussed this title already (scroll down to "Barcheaology"
and "Street Level"), so no need to repeat myself here. This
is the second pressing of the original gold label version, with an inversed
front cover image, from early 1971.
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August
11, 2020 |
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Larry
Norman: Upon This Rock (Capitol ST-446, 1970) |
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"Upon
This Rock" was Larry Norman's first album under his own name, released
right after the People episode. Same label, similar fights over decisions
where Larry Norman had no voice in, etc. So this album was re-released
a little later on Impact/Heart Warming with all kinds op productional
changes (mostly improvements!). What is left, regardless the actual
issue, is a milestone release, often hailed as the first christian rock
LP. Best song to me is "Walking
Backwards Down The Stairs" - because of the lyrics! The reason
for me to buy this LP, is because of a minimal difference with the Capitol
version I already owned.
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August
11, 2020 |
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Larry
Norman: Down Under But Not Out (Royal Music RMLP 025, 1986)
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The Swedish
"Down Under" is a single compilation LP and rather different
from the US 2LP version (see next review). Apart from that, the idea
is the same and so is my appreciation for this album. Good to have for
a Larry Norman collector, less so for anyone with a general interest
in the recordings of Larry Norman. There are better alternatives. Like
the US 2LP, I owned this LP years ago but sold it and I'm glad to have
it again.
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August
8, 2020 |
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Larry
Norman: Down Under But Not Out (Phydeaux ARF-377, 1986)
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"Down
Under" is a compilation 2LP with songs from 1956 tot 1986. The
recording are from the late sixties to the mid eighties, but there will
be a tune here that was written as early as 1956. The first album in
this set highlights the late 1960's and early 1970's (including recordings
by People), while the second album focuses on the 1970's and 1980's.
It's all rather interesting, especially because most well-known titles
from Norman's repertoire are left out. Having said that, I'm not a huge
People fan and not very enthousiast about Larry Norman's post-1980 recordings
either. Owned this LP years ago but sold it and I'm glad to have it
again.
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August
8, 2020 |
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Larry
Norman: Bootleg (Phydeaux/One Way JC-4847/2JC-900, 1972/90)
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Larry
Norman's "Bootleg" 2LP was originally released in 1972 with
no title on the front cover and it was re-released several times later
on (most in 1972-73). This is the last reissue on vinyl and it's from
1990. The album contains an extra track (actually two takes) and is otherwise
similar to the earlier versions, although Larry Norman may have minimally
edited some of the tracks. I already have this title (UK pressing, 1973)
and bought this (again, I guess, as I must have had it before) for the
Larry Norman discography mainly. It's a nice album, giving a good impression
of the early years of 'Jesus music' and of the talent that Larry Norman
was. I'm not into 'Jesus music' but Larry Norman, as controversial as
he can be (for me as well as for almost anybody else) means an exception
in many respects and I keep on being intrigued by this Jesus-freak. Attracted
by weirdness, it must be something like that. Plus the fact that he was
one of the first artists I listened to and certainly the one that had
the most impact on me as a youngster. Coming from a christian background
with all its limitations and false claims and insights, rock & roll
meant very much to me, even though the lyrics were still within the christian
idiom. You have to start somewhere... |
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July
24, 2020 |
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Duke
Ellington: Afro-Bossa (Reprise R9-6069, 1963/67?) |
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After a day in Amsterdam I always bring home a small pile of records;
shops like Wax Well and Concerto keep on being interesting for a regular
visit. This Ellington LP and the seven following albums below have been
purchased at the shops mentioned and I'm leaving out three Philips Minigroove
releases, which were bought for my Philips Minigroove website.
As I mentioned in another review, I think of Duke Ellington as an interesting
figure and I'm attracted to his records though he often plays with a
big band or orchestra which isn't exactly my cup of tea. This album
is no exception, but there's a lot to enjoy in these jazz compositions
mixed with African and Latin influences.
This US Reprise album was first released in 1963 with
a jazz cherub logo on the (deep
groove) labels. My copy has the tri-colored labels with
steamboat logo, probably from a few years later - see next review.
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July
24, 2020 |
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Duke
Ellington: Greatest Hits! (Reprise R-6234, 1967) |
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Another Duke Ellington LP on Reprise, it's
a live album called "Duke Ellington's Greatest Hits", featuring
a big band. Pretty good sounding stuff for live performances and a
lot of Ellington classics to enjoy.
Since this album is from 1967 (probably an
original issue, mono) and has the same labels as the "Afro-Bossa"
LP, these albums may have been released at around the same time.
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July
24, 2020 |
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Duke
Ellington/Fletcher Henderson: The Birth Of Big Band Jazz (Riverside
12-129, 1957) |
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This is really old stuff, from 1926 (Duke Ellington side)
and 1923-28 (Fletcher Henderson side). It was issued in the 'Jazz Archive
Series" of Riverside Records in 1957. The LP looks like an original
1957 pressing but it also looks like it's only a few years old... Well;
it won't suffer much here either, as this is not an album I'll often
play. I was doubting about 2 or 3 stars, but decided to go for 3 as
this is historical relevant material and cannot be judged properly with
more modern listening ears... Once this was modern too. At least it
gives an impression of what Duke Ellington did in his early years.
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July
24, 2020 |
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Lester
Young: Swinging (Score SLP-4028, 1958) |
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Nice US Score LP from 1958, featuring the great Lester Young. From
the Encyclopedia Brittanica: Lester Young, in full Lester Willis Young,
byname Pres or Prez, (born Aug. 27, 1909, Woodville, Miss., U.S.—died
March 15, 1959, New York, N.Y.), was an American tenor saxophonist who
emerged in the mid-1930s Kansas City jazz world with the Count Basie
band and introduced an approach to improvisation that provided much
of the basis for modern jazz solo conception. Young’s tone was
a striking departure from the accepted full-bodied, dark, heavy variety,
with its quick vibrato, because his was light in weight, colour, and
texture, with a slow vibrato. The swinging, rhythmic feeling in his
improvisations was far more relaxed and graceful than that usually heard
in the work of others during the 1930s. His lines were streamlined,
logical, and refreshingly melodic. The impact of his style was so broad
that he has been cited as a favourite by such diverse modern jazz figures
as Charlie Parker, Stan Getz, and John Coltrane. Much of the West Coast
'cool' style was a direct product of Lester Young’s approach,
many saxophonists playing his lines note for note in their own performances.
He was so important that singer Billie Holiday called him president
of tenor saxophonists, and he was known thereafter as Pres (or Prez).
His best-known performances include "Taxi War Dance", "D.B.
Blues" and "Lester Leaps In".
The last two titles mentioned are featured on this "Swinging Lester
Young LP" and with eleven other titles, this album gives a nice
presentation of this tenor saxophonist's work, which is a little less
'modern' than what I'm usually listening to but it's still very worthwhile.
This LP was first released in 1956 on the Intro label (#ILP-602).
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July
24, 2020 |
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Various
Artists: The History Of Savoy (Savoy/King K16P-6318-20, 1984)
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"The History Of Savoy" offers what the title says, spread
out over 6 LP sides and 40 tracks. It's all jazz and it covers the
years 1941-1964. The music ranges from Swing to Jazz vocal, from Black
Bop to White Bop (yes, separated! why?), from Hard Bop to 'New Jazz'.
In this set, you'll find tracks by Ben Webster, Charlie Ventura, Charlie
Parker, Dexter Gordon, Stan Getz, Hank Monley, Charles Mingus, Sun
Ra, to name just a few and to illustrate the diversity to be found
in these grooves. As the picture indicates, this is a Japanese issue.
It was meant for the Japanese market, so most text in the 20-page
booklet is unreadable for the majority of mankind. Good to see that
all session details are given in English; it made me aware of other
jazz greats playing in the groups accompanying the main artist, such
as John Coltrane, Bill Evans, Lee Morgan, Max Roach and more.
It will take a while before I get to know these sides better, if
it ever will happen. Boxes like this one, have a historical value
and there sure is a lot to enjoy, but for me they are less accessible
than a single LP by a single artist.
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July
24, 2020 |
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Thelonious
Monk: Always Know (Columbia 35720, 1979) |
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Very unlike Erroll Garner (see next review), Thelonious Monk doesn't
give you an easy time with his typical piano playing, which surprises
the listener with a nice combination of the recognizable and the stubborn.
Besides, the Monk was cool; check his performances on YouTube. The
man was a genius, not an ultra fast player but he knew what he was
doing and did it all so well.
This 2LP features mostly previously unissed sides, some live recordings,
all from 1962-68.
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July
24, 2020 |
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Erroll
Garner: The Greatest Garner (Atlantic 1227, 1956/60)
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Reissue LP with the bulls eye labels (originals had
the black Atlantic labels). Great pianist, easy jazz numbers, nothing
to get too excited about but ideal music when you need to concentrate
on something else.
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July
24, 2020 |
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Larry
Norman: Barchaeology (Phydeaux 3LP not numbered, 1984)
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Larry Norman's "Barcheaology" box was never released in
the Netherlands. I bought my first copy at a concert in 1984 or 1985
as he brought some records to sell after the show. I guess that was
the only way to obtain a copy unless you ordered one in the US, which
may not have been easy either. In these online days, every now and
then, a copy shows up on eBay or Discogs, so it's not a mega rarity,
but to find it at Concerto is still remarkable. I bought it again,
after I sold my first copy years ago. I'm into buying Larry Norman
stuff since I'm working on his discography again, so I couldn't stand
temptation.
This 3LP set features three previously released but pretty rare LP's:
the first version of "Street Level" (scroll down for a review
of the second version), "Letter Of The Law" and "Labor
Of Love", both of which were originally released in 1982 in very
limited numbers. The B-side of "Street Level" is great (listen
to "Sigrid
Jane" from this LP), the rest pretty boring, especially both
1982 LP's as they feature mainly Tom Howard compositions and though
sung by Larry Norman, it has little to do with Larry Norman's own
song writing and performing. The "Barchaeology" box introduced
me to the first version of "Street Level"; at the time I
didn't know of its existence and to be honest, for years I thought
that they mixed it up, not willing to believe there was another version.
Two stars, but still happy to have this box again...
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July
24, 2020 |
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Larry
Norman: Only Visiting This Planet (Verve LP V6-5092, 1972)
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"Only Visiting This Planet" was released one year prior
to "So Long Ago The Garden" and it was also recorded at
AIR Studios in London, England*. It's another
essential Larry Norman album, featuring many of his classic songs.
My favourite tracks are "Six
O'Clock News", "Pardon
Me" and "Reader's
Digest". More famous are "I Wish We'd All Been Ready",
which I don't like at all, and "Why Should The Devil Have All
The Good Music" - a fine rocker with somewhat outdated lyrics.
I bought this album recently via Discogs because it was sealed, as
a replacement of the copy I had (which is now on Discogs!). I hoped
for some differences but the pressings appeared to be exactly the
same.
* From Wikipedia:
"Associated Independent Recording is an independent recording
company founded in London in 1965 by record producer Sir George Martin
and his business partner John Burgess, after their departure from
Parlophone. The first album produced by George Martin by his new company
was the Beatles' "Rubber Soul", recorded at Abbey Road Studios.
The leading independent recording studio complex was founded in 1969.
Since then AIR has operated its own professional audio recording facilities,
AIR Studios."
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July
16, 2020 |
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Larry
Norman: So Long Ago The Garden (MGM LP 2315 286, 1973)
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A
friend of me and I have a long history of joking about a French pressing
of Larry Norman's "So Long Ago The Garden", especially when
one of us went out on vacation, if necessary changing France to Spain,
Italy or whatever location we went to. There were rumors about this
album, but it took years before we found out it actually existed. I
bought it on Discogs and find some pride in owning a copy of this version,
I must admit. Apart from that, and opposite to the previous review,
this is a great album and definitely worth to own. It should be an MGM
pressing though, as the reissues on Larry Norman's own labels (Phydeaux
and Solid Rock) are different (some differences in song selection and
takes) and not as outstanding as the original pressing. After all the
years I know and own this album, I'm still a sucker for songs like "Christmas
Time" and "Nightmare".
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July
14, 2020 |
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Larry
Norman: Street Level (One Way LP 7937/3973, 1971) |
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"Street
Level" was Larry Norman's second solo LP and it exists in two versions
where the b-sides are completely different. The first version is also
known as the gold label version. The LP I bought is the first pressing
of the second version; it has the same Carlos Ave. address as the second
pressing of the first (gold label) version. These details made it attractive
to buy this version, also because I'm currently updating my Larry Norman
discography. The music is not too interesting though. The a-side (the
same on both versions) features live solo performances, the b-side features
studio performances with a band, but recorded under rather primitive
circumstances. The so-called gold label version has a much, much better
b-side, where Larry Norman could use a more professional studio and
more professional musicians. It's surprising to see this version was
replaced by the more primitive (and more outspoken christian - is that
why?) second version.
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July
8, 2020 |
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Errol
Garner: Erroll Garner Plays Misty (Mercury LP 60662, 1962/8?) |
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Erroll
Garner plays piano with the greatest of ease, but this repertoire seems
to be meant as a background for a romantic dinner for two. That can
be convenient for sure, but... well... check the title track of this
still very sympathetic YouTube clip.
I
found this album, a 1980's reissue, in a thrift store and decided to
buy it because it was cheap, in near perfect condition and because I
came to respect Erroll Garner. I learned more about him recently through
his 1950's recordings, released on the Philips (Minigroove) label.
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July
6, 2020 |
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The
Billy Taylor Trio with Candido (Prestige LP 7051, 1956/5?)
Lee Morgan: The Cooker (Blue Note/Tone Poet LP 81578,
1958/2020) |
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Two
fine jazz albums; the first being a second pressing from the late 1950's
or early 1960's (US Prestige, Bergenfield Ave. address), the second
being a recent reissue in Blue Note's Tone Poet series.
Listen
to Billy Taylor's "Declivity"
Listen to Lee Morgan's "A
Night In Tunisia"
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June
4, 2020 |
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Herbie
Hancock: The Prisoner (Blue Note/Tone Poet LP 84321, 1969/2020)
Duke Ellington: Money Jungle (United Artists/Tone
Poet LP 15017, 1963/2020) |
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Two
reissues in Blue Note's Tone Poet series; "The Prisoner"
by Herbie Hancock and "Money Jungle" by Duke Ellington.
Hancock's LP was originally issued on Blue Note in 1969, it was his
last album for the label. Ellington's LP was originally issued on
United Artists in 1963. Blue Note bought the rights of the recordings,
I think, and confusingly released it as if it was part of the Blue
Note Legacy, which it is not of course. Similar things happened before;
I remember the 20 CD Blue Note box, released in conjunction with NRC
Handelsblad, which featured many titles from other labels.
Apart
from this critical note, Blue Note released two fine albums. Herbie
Hancock was exploring new horizons which would evolve to his famous
1970's recordings, with "Head Hunters" (1973) being his
most succesfull album. I prefer his earlier work for Blue Note, but
"The Prisoner" provides an enjoyable listen.
Through
my work for the Philips Minigroove website (philips-minigroove.com)
I started to discover the work of Duke Ellington. He's been a pivotal
figure in the development of jazz, both as a bandleader and a musician
(piano player), being active for over 50 years. Most of his earlier
recordings feature big band jazz; this album however, was recorded
as a trio, with jazz greats Charlie Mingus on bass and Max Roach on
drums. Ellington was 63 at the time of the recordings (Sept. 17, 1962).
Interesting stuff!
Both
albums are housed in cool, old-school, tip-on sleeves, Hancock's album
in a regular cover while Ellington's album comes in a gatefold cover
with session photos on the inside. Both albums were mastered by Kevin
Gray at Cohearent Audio, providing the best possible audio quality.
To listen,
check these links:
- Herbie Hancock: I
Have A Dream
- Duke Ellington: Wig
Wise
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May
20, 2020 |
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Clara
Haskil: 7.1.1895 - 7.12.1960 (Philips
02073, 1961)
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Every
now and then I buy Philips Minigroove albums or singles/EP's, whenever
I can use them for my website philips-minigroove.com.
I buy these mostly from thrift stores and I think 80-90% is classical
music. I'm not too much of a classical music lover, but nevertheless
it's very interesting to find these old artifacts (1950's to early 60's)
and I'm happy with all of them. As for classical music, what I like
best is chamber music or anything else performed by small groups or
soloists. This album features pianist Clara Haskil solo and she plays
Beethoven's Sonates No. 17 and 18 (recorded in 1960). The album was
probably released in early 1961, after Haskil's tragic death on December
7, 1960. I don't think I ever said this before about a classical album,
but I like it a lot. Maybe I even love it... these are heart warming
pieces of piano virtuosity with no special accent on the virtuosity.
This is human music, pure, delicate and so far away from all of today's
madness. Listen to side 1 of this record here
and read more about Clara Haskil's life here.
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April
17, 2020 |
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Original
Five Blind Boys (self-titled) (Vee-Jay 5004, 1959)
Various: All God's Children Got Shoes (Choice 502,
1960)
Loving Sisters: Trying Time (Peacock 125, 1965)
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Lately,
I've been buying more gospel albums than I used to do, but it's pretty
much coincidental as I was just happy to find some more nice original
pressings from the same Discogs seller I've been buying from before
(see previous three albums on this page).
The Original Five Blind Boys were a legendary group including Percell
Perkins and Archie Brownlee. Brownlee died of pneumonia while touring
in New Orleans on February 8, 1960 at the age of 34. So, that was pretty
soon after the release of this LP. The group recorded for Peacock, Vee-Jay,
Checker and a bunch of other labels. This Vee-Jay LP has a couple of
nice performances, though I wish there were more uptempo songs, like
"My
Robe Will Fit Me". Slow movers can be fine as well, of course,
like "Oh
Why", but I usually prefer the holy rollers.
The
Choice compilation album "All God's Children Got Shoes" sure
is a rare find. The label was run by Ozzie Cadena and he used Rudy Van
Gelder's studios for recording the artists featured here (see cover
image). Ozzie Cadena is famous for recording several jazz greats for
labels as Blue Note and Prestige. The gospel output by the Choice label
is interesting, where the groups vary from a better amateur level to
a more professional one. The opening tracks by the Southern Larks are
not equalled by what follows, although there sure are other enjoyable
moments. Too bad, no tracks are available on YouTube.
The
Loving Sisters (a family group) also recorded for the Peacock label.
It appears this was the only label they recorded for, between 1962 and
1978. I used to have a French pressing of their debut album, but now
I found an original US pressing. I'm not a huge fan of female groups,
but there are a couple of exceptions, and the Loving Sisters surely
are above average for me. The title track "Trying
Time" is a superb song which ranks high among my all-time gospel
favourites.
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March
30, 2020 |
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Fairfield
Four: The Bells Are Tolling (Old
Town 103, 1962)
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I
already had a reissue LP and a CD issue of this title, but always hoped
to find an original pressing one day. I have been lucky and could buy
this one from the same Discogs seller who sold me both Nashboro LP's
(see below).
The
Fairfield Four has been in the (gospel) spotlights for decades (starting
in 1921, almost a century ago, but the group disbanded in 1960 to re-form
in 1980) and they were featured in the "Brother Where Art Thou"
movie by the Coen Brothers (2000), which was probably their best-known
achievement. Most of their early (and later, post 1980) recordings were
acapella but in the late 1950's the group recorded with a band (guitar,
bass, drums) for the Champion and Old Town labels. I prefer gospel singing
with (minimal) accompaniment and their 1959-1960 recordings fit my taste.
When their Old Town album was released in 1962, the group had fallen
apart, and the album wasn't received the way it should, remaining largely
unnoticed. The 1973 reissue on the Athens label (with a different cover,
no title and the group name expanded to the Famous Fairfield
Four) sold much better and is still rather easy to obtain (my copy is
now for sale on Discogs). Ace Records (the famous UK reissue label)
released the album with the original artwork on CD in 2000 and I guess
it was the "Brother Where Art Thou" movie which initiated
this release. The u-card of this CD-release reads: "An incredibly
rare 1962 album from Old Town that represents post-war gospel quartet
music at its very best". Well, it actually was a sextet, but you
better listen to
the title track here
and see for yourself.
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Various:
Best Loved Gospel Songs, Volume 2 (Nashboro
7015, 1963)
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It's
always a pleasure to find original US gospel LP's from the 1950's or
1960's. I bought this one together with the next album listed below
(Swanee Quintet) on Discogs. They were friendly priced and appeared
to be in much better condition than expected.
This
early compilation features six groups and one female artist which were
all on Ernie Young's Nashboro label: the Boyer Brothers, the Sons Of
The South, the Silvertone Singers, the Jordan River Singers, the Radio
Four, the Christland Singers and Lucille Barbee. The album is the continuation
of Nashboro LP 7006 (1961) and like these albums, they give a good impression
of what black gospel was like in the south, during the 1950's and early
1960's. And some of that stuff will make you jump and shout. Check the
Radio Four's "An
Earnest Prayer".
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Swanee
Quintet: Songs That Lift The Soul (Nashboro
7026, 1965)
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The
Swanee Quintet started back in 1945 with their first record released
in 1951 on the Nashboro label (Ernie Young's label, the parent label
of Excello, the famous blues label that brought us Slim Harpo, Lightnin'
Slim and many others). The Swanees stayed with Nashboro during their
early carreer until 1980's. I never paid much attention to their post-1970
recordings, but I really love their 50's and 60's output. This LP, their
fifth for the label, was recorded and released in 1965. It has the rather
typical 1960's sound of Nashboro; Ernie Young liked tremolo in the guitar,
slapback in the bass and reverb from the vocals and he built a primitive
studio in the attic of his record mart, efficient at generating the
label's signature echo. At the time, the group consisted of “Little”
Johnny Jones, Rev. Ruben W. Willingham, Charles Barnwell, James Anderson,
Rufus Washington and William Crawford. Listen to "You
Better Mind" from this album.
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National
Independent Gospel Singers Of Atlanta, Georgia: Thank You Lord (Sue
423 004, 196?)
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Sue
Records ("The Sound of Soul") was an American record label
founded by Henry 'Juggy' Murray and Bobby Robinson in 1957. Subsidiaries
on the label were Symbol Records, Crackerjack Records, Broadway Records
and Eastern Records. Sue also financed and distributed A.F.O. Records
owned by Harold Battiste in New Orleans.
In
1957, Juggy Murray partnered with Bobby Robinson to create Sue Records
in New York City. The label's first release was "Vengeance
(Will Be Mine)" by the Matadors later that year. Sue's first
hit record came in 1958 with "Itchy
Twitchy Feeling" by Bobby Hendricks which peaked at #25 on
the Billboard Hot 100. Success continued into the sixties with a handful
of singles by R&B duo Ike
& Tina Turner between 1960 and 1962. "Mockingbird"
by brother-and-sister duo Inez and Charlie Foxx was a hit on the subsidiary
label Symbol in 1963. Sue also had hits on the charts with "Stick
Shift" by the Duals, "Hurt
by Love" by Inez Foxx and "That's
How Heartaches Are Made" by Justine "Baby" Washington.
Sue also released early recordings by the soul singer Don
Covay and albums by the soul-jazz organist Jimmy
McGriff. Guitarist Jimi Hendrix signed his first recording contract
with Sue in 1965, but no recordings were released.
Murray
initially released his records in the UK through Decca's London Records
but switched to a licensing deal with Island Records in 1964. This
deal resulted in a split in the ownership of the Sue name. Island
used the label to distribute Sue in the UK. Problems began when Island
also leased discs from other US labels that interested them and released
them on UK Sue too - which was not in the agreement. Murray terminated
the agreement and returned to Decca in 1966.
After
failing to chart in the U.S., Murray sold the Sue masters to United
Artists Records in 1968. A reissue of the "Harlem Shuffle"
by Bob & Earl made the Top 10 in Britain in 1969. Murray retained
rights to the Sue name and constantly attempted to re-activate the
label until his death in 2005. The Sue Records catalog eventually
ended up with EMI, and then with Universal Music Group upon EMI's
being bought out in 2012.
All
of the above was taken from Wikipedia.
The
LP I got in today was the only gospel release on the Sue label. I
also have the original US version (1960), and this is a French reissue,
likely from the early 1960's. It's a fine album by a veteran group,
featuring Edward Owens, James Jordan, Robert "Bubba" Owens,
Oscar Faniel, Zerman Ware, Robert Lee Atkins, Robert Harris, Luther
Tompkins and Willie Lewis, with accompaniment by Bobby Moore (bass),
Buddy Harmon (drums) and an unknown guitar player. Too bad, YouTube
doesn't have anything available from this album.
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Hank
Mobley: Poppin' (Blue
Note/Tone Poet B0030597-01, 2020)
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Hank
Mobley was one of the great saxophone players on the Blue Note label.
His "Soul
Station" LP (1960) was one of my early jazz purchases and
I still cherish that album. "Poppin",
released in Blue Note's Tone Poet series, features some fine material
recorded by Hank Mobley, Art Farmer, Pepper Adams, Sonny Clark, Paul
Chambers and Philly Joe Jones in 1957. It remained unreleased until
1980, when the Japanese United Artists/King label made it available
for their home market. The album features five compositions with all
but one written by Mobley: "Poppin", "Gettin' Into
Something", "Tune Up" and "East Of Brooklyn".
"Darn That Dream", which I always found a misfit track on
various reissues of Miles Davis' "Birth Of The Cool" sessions
(because of the vocals), was written by Jimmy Van Heusen and Eddie
Delange and gets an all instrumental treatment here. I can appreciate
that much better. Although credited to Hank Mobley, "Tune Up"
was described as "a cracking version of a Miles Davis tune from
1956" in a review on Udiscovermusic
website. From that same review: "Despite its high quality,
"Poppin" was left in the can for 23 years until producer
Michael Cuscuna dug it out of the archives for a Japanese vinyl release
in 1980. It has now been resurrected again, via Blue Note’s
new Tone Poet Audiophile Vinyl Reissue Series, meaning that this forgotten
gem has an opportunity to shine anew." Nothing more to add to
that, except that this is another fine sounding reissue, mastered
by Kevin Gray and released in in a tip-on fold-out cover with Francis
Wolff photos on the inside.
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Grant
Green: Nigeria (Blue
Note/Tone Poet B0031299-01, 2020)
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The
material on this album by Grant Green was originally recorded in 1962
but first released in 1980. It was reissued several times, but now it
was picked up by Joe Harley to get its definitive release in Blue Note's
Tone Poet series. I often find jazz guitar albums of somewhat limited
interest if it's a performence by the guitarist only (with the help
of just a bass player and drummer). Luckely, most Grant Green albums
feature piano and sometimes other instruments as well, which adds to
a better listening experience. No exception for this album, which features
the piano of Sonny Clark, bass by Sam Jones and drums by no-one less
then Art Blakey. Of course, the guitar dominates, but Grant Green is
amongst the best jazz guitar players, so that can't be seen as a disadvantage,
although I prefer the style of players like Wes Montgomery or Kenny
Burrell. "Nigeria" features a set of rather cheerful tunes.
"Airegin"
("Nigeria" backwards, the link goes to Grant Green's interpretation)
is a Sonny Rollins composition, first issued in 1954 on an album Rollins
did with Miles Davis. "It
Ain't Necessarily So" is a Gershwin composition from the Porgy
And Bess opera (1935) and "I
Concentrate On You" was written by Cole Porter for the film
"Broadway Melody of 1940" (1940). "The
Things We Did Last Summer" was written Jule Styne (composition,
lyrics for the original version were done by Sammy Cahn). The most well
known version is the 1946 hit version by Jo Stafford (the link above
connects to this version). Last week I heard the song "I
Know What You Did Last Summer" by Shawn Mendes and Camila Cabello
on the radio (never heard it before, but it caught my attention). I'm
not sure if it was meant to be related to the old song, probably not,
but for me it kinda is because of this coincidence. The album's closing
track is "The
Song Is You", another jazz standard - this one being written
by Jerome Kern (the original version has lyrics by Oscar Hammerstein
II) for the musical "Music in the Air" (1932). In later years
the song was often associated with Frank Sinatra (the link above connects
to this version).
All
in all a fine album, with liner notes by Ben
Sidran, mastered by Kevin Gray and housed in a tip-on fold-out cover
with Francis Wolff photos on the inside.
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Herbie
Hancock: Inventions & Dimensions (Blue
Note / Music Matters
84147, 2012, 2LP at 45rpm)
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Herbie
Hancock started his recording career on the Blue Note label, this
being his third album from 1964 (previous titles were "Takin'
Off" and "My Point Of View"). "Inventions
& Dimensions" with its cool, almost intimidating cover,
was made with Paul Chambers (bass), Willie Bobo (drums & timbales)
and Osvaldo Martinez (conga & bongos). The last two names suggest
some Latin American influences (see Bobo's LP review below) and that's
what you hear in these otherwise adventurous jazz improvisations.
Since
an original Blue Note pressing demands quite a few bucks, I have been
looking for this 2012 pressing from the Music Matters stable for quite
some time. It's a collectors item now too and I didn't get this cheap,
but it's worth it and it will become more valuable over time. It was
released on two 45rpm LP's (not my favourite format) and housed in
a nice tip-on gatefold cover with session photos on the inside. The
album was recently reissued by Blue Note (80 Vinyl Reissue Series),
also a fine and good sounding reissue and much cheaper too, housed
in a regular, non-gatefold cover.
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Willie
Bobo: Uno Dos Tres 1.2.3 (C026, 2019)
Sister Rosetta Tharpe: Gospel Train (C025, 2019)
Donald Byrd: Fancy Free (C017, 2018)
Lightmen Plus One: Energy Control Center (C012,
2018)
'Vinyl
Me, Please' reissues
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These
four albums, ordered from 'Vinyl Me Please' last year, were finally
delivered today. 'Vinyl Me, Please' is a US company/record club, bringing
fine reissues on the market (usually leased from other companies),
but I guess it all grew too fast, resulting in a logistical mess at
the end of last year. Apologies made, which I appreciated a lot, and
today this episode came to an end when I received my order.
Willie
Bobo's "Uno
Dos Tres" is a friendly and cheerful latin jazz album, featuring
twelve vocal and instumental tracks. Bobo was a percussionist and
he and his group recorded this album in 1966, at Rudy van Gelder's
Studio in Englewood Cliffs, New Jersey. Originally released on Verve
V/V6-8648.
For
several years I bought nothing but gospel records. These times are
over, but I still enjoy listening to some of those black gospel shakers.
Sister Rosetta Tharpe is one of my favorite female gospel artists
and I was surprised to see "Gospel
Train" being re-released. I have the original album but I
was just curious what this one would sound like. No disappointment
- this music hits you right in the face! The mono sound is clean,
dynamic and balanced. Uptempo and slower tracks are merged with Sister's
singing and guitar solos. The tip-on sleeve looks fine (with a great
picture where Sister Rosetta Tharpe holds a nice Gibson Les Paul Goldtop),
but the colors aren't true to the original, too much reds mixed in
(not too obvious in the picture above). Originally released on Mercury
MG-20201.
Trumpetist
Donald Byrd is most famous for his Blue Note recordings. He was a
versatile artist and "Fancy
Free" shows our man in good shape releasing four groovy jazz
tunes. The recordings were made in 1969 with the help of Frank Foster,
Lew Tabackin, Julian Priester, Duke Pearson, Roland Wilson, Jimmy
Ponder, Joe Chambers, Nat Bettis, Jerry Dodgion and Leo Morris. Duke
Pearson produced the album, and Rudy van Gelder seems to not have
been involved this time (surprising!). Originally released on Blue
Note BST 84319.
The
fourth and last LP in this set, called "Energy
Control Centre", is by the Lightmen plus One, a group I hadn't
heard from before. The hype sticker on this release says: "Revolutionay,
spiritual jazz from the unlikely city of Houston, Texas: the definitive
issue". The original single album from 1972 is a rare collectable
and it was re-released here as a double album featuring some previously
unreleased alternate takes. I listened to it once today and I think
I liked what I heard; moody jazz improvisations with some unexpected
weirdness thrown in at times. I need to listen more often. Originally
released on Lightnin' LP-2001. The double LP reissue is on Now Again
Records which was concurrently released by 'Vinyl Me, Please' as a
special release by this record club.
All
of these four albums came in nice and glossy tip-on sleeves and were
pressed on 180 grams vinyl. The sound quality is very satisfying.
Michael Fremer (Analog
Planet) says: "If you'd have told me a few years ago when
Vinyl Me, Please launched, that within a few years the curated based
vinyl subscription service would be at the top of the vinyl reissue
heap, I'd have said you've been inhaling too many PVC fumes".
Good things do happen!
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Rita
Reys: The Cool Voice Of Rita Reys (Philips B 08006 L, 1957)
(with the Jazz Messengers and the Wessel Ilcken Combo)
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Rita
Reys had a prominent place amongst the top jazz singers in Europe. "The
Cool Voice Of Rita Reys", her first album, features Rita Reys
with the Wessel Ilcken Combo on side 1 (recorded in Hilversum, the Netherlands,
1955-56) and with Art Blakey's Jazz Messengers on side 2 (recorded in
New York, USA, 1956). It was first released in the USA (Columbia CL
903) in 1956, a few months before it was released in the Netherlands
(and Europe, and other places).
Rita
Reys proves to be a more than competent jazz singer on this collection
of standards although it doesn't thrill me the way some American singers
do.
I
found this original LP in a second hand record store in Nijmegen; it's
a collector's item but not in a very good condition. My Japanese 1993
pressing will be on the turntable when I need to hear it. Music On Vinyl
re-released it in 2018.
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Thelonious
Monk: Straight, No Chaser (Impex/Columbia IMP 6020/CS 9451,
1967/2013, stereo reissue)
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The
postman delivered this album at my front door late in the afternoon;
it was ordered at JPC at the end of 2019.
This
is a 2-LP reissue of the 1967 Columbia LP by Impex Records and the back
cover says the following: "The session recordings for Thelonious
Monk's 1967 classic "Straight,
No Chaser" ran longer than a single LP could hold. Rather than
put out a more costly 2-LP set, Columbia edited down the tracks chosen
for the record to fit a 1-LP format - a common practice at the time.
Now, for the first time ever on 180-gram vinyl, Impex Records brings
you the complete, extended takes of these breathtaking tunes, plus a
great interpretation of "Green
Chimneys", keeping fully intact and deepening the listener's
appreciation of Monk's singular musical vision and the near-instinctive
communication between Monk and his sidemen, Charlie Rouse, Larry Gale
and Ben Riley."
For
completeness sake, it should be added that this album was released on
CD in 1996 including the complete versions, the bonus track "Green
Chimneys" (a title first issued on Monk's "Underground"
LP from 1968) and two more bonus tracks.
"Straight,
No Chaser" is a fine album which fits well with the other Columbia
LP's I have ("Monk's Dream" and "It's Monk's Time").
The tunes are recognisable but have loads of unexpected twists and sounds.
This Impex release sounds great too, which comes as no surprise as the
(all analog) mastering was done by Kevin Gray (Cohearant Audio). The
heavy tip-on cover sure adds luster to this attractive but expensive
reissue.
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The
Dizzy Gillespie Octet - The Greatest Trumpet Of Them All
(Verve MG V-8352, 1959, early pressing, mono)
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Although
I bought quite a few records today, I consider this the first album
of 2020 for my collection, as the other purchases were all done for
the Philips-Minigroove website (and won't be discussed here).
"The
Greatest Trumpet Of Them All" features Dizzy Gillespie, Benny
Golson, Gigi Gryce, Henry Coker, Pee-Wee Moore, Ray Bryant, Tommy Bryant
and Charlie Persip. These gentlemen bring a rather relaxing set of jazz
tunes, very suitable for a rainy sunday afternoon. I like it and this
old US Verve pressing sounds fine too.
The Waxtime label reissued this on vinyl in 2010 and again in 2016 (with
a different cover), so Discogs says, but for around the same money you
can find an original pressing which is preferrable. Waxtime doesn't
have a great reputation either.
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